Pumpkin Coloring Pages

A jack-o-lantern with a wide toothy grin sits at the center of a Halloween scene packed with stars, wrapped candies, lollipops, a flying bat, and maple leaves. Color the pumpkin orange, the candies in bright contrasting shades, and the bat deep purple for a full trick-or-treat look.

A glowing jack-o-lantern grins from a moonlit forest clearing, framed by bare twisted trees and with rolling hills covered in swirling grass textures below. Color the pumpkin bright orange with a black grin, and try deep indigo or navy for the night sky. The bare branches and swirling ground details give this one a real Halloween atmosphere.

A grinning pumpkin wears a wide-brimmed witch hat with a square buckle on the band, while spiderwebs stretch across the upper corners behind it. Color the hat black, the pumpkin bright orange, and the spiderwebs dark gray. The crescent carved eyes and rectangular grin are simple shapes to fill.

A plump pumpkin sits at the center of a ring of crisp autumn maple leaves, its rounded ribs and short curving stem giving it a classic harvest look. Color the pumpkin deep orange with a brown stem, and try warm golds, reds, and burnt orange for the leaves.

A tall pumpkin and a shorter, rounder one sit together with maple leaves tucked around their bases. Color the tall pumpkin a warm orange and the smaller one a deeper amber to tell them apart, then try yellow, red, and orange for the scattered leaves.

A Halloween pumpkin with wide oval carved eyes, a small triangular nose, and a crooked grin with pointed teeth fills the page. Color it deep orange with a dark brown stem, and fill the carved features black or warm yellow to show the candlelight glow inside.

This pumpkin grew its own way, with ribs that bunch up unevenly on one side and a stem that curves off-center. Color it classic orange with a brown stem, or go creative since no real pumpkin ever looked quite like this one anyway. The fine shadow lines inside each rib are a nice bonus detail.

This jack-o-lantern has four carved triangular openings across the upper half of its face and a wide grin with a raised lip beneath. Color the pumpkin bright orange with a dark stem, and fill the carved features black or warm yellow to suggest candlelight glowing inside.

A perfectly round pumpkin with five plump segments, a short thick stem, and two curly tendrils spiraling on each side. Color it classic Halloween orange, try a pale cream or soft green for a storybook look, or go fully creative since there's no face or background to work around.

This pumpkin becomes a mandala canvas, with each ridge holding its own swirling floral pattern and a blooming flower at the center. Try deep oranges and golds for the main design, with teal or purple accents in the surrounding swirls. Take your time on the tiny dots lining the curled stem.

Dozens of roses, dahlias, and daisies cluster together so tightly that their shapes form a full pumpkin silhouette. Try a mix of rose pinks, deep reds, and cream for the flowers, with sage green for the leaves and berries scattered throughout. Color a few blooms in an unexpected shade like lavender to keep the bouquet lively.

This pumpkin skips any extra pattern or ridges, leaving one big open shape ready to fill in. Classic pumpkin orange is the obvious choice, but it's also a great blank canvas for stripes, dots, or a hand-drawn face. The single large shape makes this a fast, satisfying color for the youngest kids.

A calico-patterned cat sits perched on top of a grinning jack-o-lantern, with a few fallen leaves floating nearby. Color the cat in patches of orange, cream, and brown, and give the pumpkin its classic jack-o-lantern orange with a black carved face. Leave the cat's eyes a bright green or gold for a bit of Halloween charm.

Each ridge on this pumpkin holds its own zentangle pattern, from tight spirals to a field of tiny circles and a leafy vine. Try warm oranges and browns as a base, then swap in teal or plum for a couple of the ridges to make each pattern pop. Save the smallest dots for last so your lines stay clean.

This realistic pumpkin sits on a rustic wooden crate, its skin covered in the kind of mottled patches you'd see at a real pumpkin patch. Try a base of burnt orange with tan and brown patches layered on top, plus warm wood tones for the crate underneath. Blend the patches softly so the pumpkin looks rounded instead of flat.

A sunny pumpkin patch spreads across rolling hills, with six pumpkins of different sizes tangled up in curling vines and leaves. Color the pumpkins in shades of orange from pale to deep, and give the hills a soft green with a golden sun overhead. Leave a couple of the smallest pumpkins a lighter shade so the patch feels varied.

Three round pumpkins stack neatly on top of each other, with two maple leaves resting at the base. Color each pumpkin a different shade of orange so the stack has some variety, and use warm red or brown for the leaves. The thick, simple lines make this an easy one to color all the way to the edges.

This pumpkin keeps things simple, with just a few wide ridges and a short stem to color. Try classic pumpkin orange for the body and a warm brown for the stem. The extra-thick lines make it easy to stay inside the shapes, even for the youngest colorists.

A pumpkin carved with the words GIVE THANKS sits framed by tall wheat stalks, oak leaves, and a pair of acorns. Color the pumpkin classic orange with the lettering left white for contrast, then use golden wheat tones and warm browns for the harvest border around it. Add a few red berries for a pop of color among the leaves.

A smiling scarecrow spreads his straw-stuffed arms wide behind a picket fence lined with four round pumpkins. Color his overalls denim blue with patchwork squares, his hat a warm straw yellow, and the pumpkins in varying shades of orange. Add a soft blue sky with a cloud and a couple of birds for the finishing touch.

A round pumpkin sits nestled among broad leaves at the feet of three towering sunflowers, each one full of layered petals. Color the sunflower petals a rich golden yellow with deep brown centers, and give the pumpkin a warm orange with green leaves all around. Vary the petal shading slightly from flower to flower so each sunflower feels distinct.

A round-nosed farm truck sits parked by a picket fence with six pumpkins stacked in its wooden bed. Try classic barn red for the truck, warm orange for the pumpkins, and soft gray for the tires and fence. The wide flat panels make this one a good page for markers.

A chubby pumpkin grins out from the page with sparkly eyes and two round blush cheeks. Warm orange suits the body, with a green stem and leaf up top and soft pink for the cheeks. The shapes are big and open, so crayons work just as well as markers here.

A wavy little ghost hovers over a grinning jack-o-lantern while three stars hang in the air around them. Keep the ghost pale gray or icy blue, go bright orange on the pumpkin, and try yellow for the stars. Coloring the carved face last keeps the grin nice and sharp.

A big carved pumpkin sits in tall grass with a full moon rising behind it and five bats crossing the sky. Pale yellow works for the moon, deep orange for the pumpkin, and charcoal for the bats. Save the carved face for last so the triangle eyes and jagged grin stay sharp.

A giant pumpkin has been turned into a cottage, with a brick chimney, shuttered windows and a cobblestone path winding up to an arched wooden door. Warm orange suits the pumpkin walls, with terracotta brick, mossy greens for the ivy, and red-capped toadstools out front. Save the path stones for last.

A generous wedge of pumpkin pie sits on a round plate with a tall swirl of whipped cream on top and a fork resting alongside. Go warm caramel orange on the filling, golden tan on the crust, and leave the cream almost white. The shapes are big, so crayons handle this one easily.

A round-eyed puppy sits up straight between two ribbed pumpkins, a curling vine and three broad leaves spread out at its paws. Golden tan suits the fur with a darker patch over one eye, bright orange for the pumpkins, and green for the vine. Big shapes, thick lines, crayon friendly.

A plank-sided wheelbarrow leans on its spoked wheel, heaped with pumpkins while three more sit in the grass. Try warm wood brown for the barrow, a mix of orange shades for the pumpkins, and white for the fence. The spokes are thin, so color them near the end with a pencil.

Six jack-o-lanterns line up in two rows, each one carved with a different expression: a grin, a gasp, a wink, a zigzag mouth. Give each pumpkin its own shade of orange and gold, then fill the carved openings with bright yellow so they look lit from inside.

A tall round pumpkin stands behind a wide ribbon banner with two maple leaves tucked at its base. The banner is left empty, so kids can write their own fall greeting across it. Warm orange for the pumpkin, red and gold for the leaves, and a soft cream banner keeps the lettering readable.

A round owl with enormous eyes perches right on the stem of a ribbed pumpkin, an acorn sitting on either side. Warm browns suit the feathers, bright orange the pumpkin, and tan and cocoa the acorns. The scalloped chest feathers are the fun part, try two shades of brown across them.

A fox naps curled in a tight circle, its bushy tail wrapped around to its nose, with a big pumpkin and a small one behind it. Rusty orange suits the coat, cream the tail tip and chest, and red, gold and green the three fallen leaves. Save the closed eyes and nose for last.

A squirrel stands on top of a ribbed pumpkin, gripping an acorn in both front paws with its bushy tail curled high behind it. Warm gray-brown works for the fur, orange for the pumpkin, and four different shades for the leaves below. The acorn cap has a woven texture worth picking out.

A rounded pumpkin sits on top of a big rolled hay bale with a leaf poking out on either side. Orange for the pumpkin, straw yellow and gold for the bale, and green or red for the leaves. The bands across the bale are wide, so this one goes quickly with crayons.

A plank-roofed farm stand overflows with pumpkins on two shelves and in crates below, with triangle bunting strung across the front and a blank sign hanging in the middle. Mix three or four oranges so no two neighbors match, then work the cobblestone floor last. A page to settle into.

A round pumpkin carries three big empty circles and a wide blank banner, with a bat swooping above the stem. The circles are sized for three letters, so kids can spell out BOO themselves after coloring. Orange for the body, charcoal for the bat, and a pale banner for lettering.

A pumpkin sits with its top cut away and set aside, a wooden spoon on the table and a heap of scooped seeds beside it. Deep orange for the shell, pale yellow inside the rim, and cream for the seeds. The seed pile is the fiddly part, so leave it until the end.

Pumpkins crowd the steps and railings of a covered porch, with a leaf wreath on the paneled door, a lantern on the wall and a potted mum by the stairs. Rotate a few oranges through the pumpkins, keep the siding pale, and go rich on the wreath. The clapboard lines reward a slow hand.

A pumpkin rests on a patch of grass with three spotted toadstools growing beside it and four tall ferns arching overhead. Classic red caps with white spots work here, deep greens for the ferns, and warm orange for the pumpkin. Leave the spots white rather than trying to lift color later.

Dozens of pumpkins sit among curling vines and broad leaves in a field that runs all the way back to a plank barn and its silo. Barn red and gray suit the buildings, with a mix of orange shades scattered through the patch so it never flattens out. A long, absorbing page.

A woven cornucopia tips forward on a wooden table, spilling pumpkins, two corn cobs, a heavy bunch of grapes, apples and a pear across a bed of oak leaves. Warm browns for the basket weave, deep purple for the grapes, and a full range of golds and oranges elsewhere.

A grinning jack-o-lantern sits on a wooden step next to a metal lantern with a lit candle inside, three moths drifting toward the light. Orange for the pumpkin, warm gold for the flame and candle glow, and soft gray-brown for the moth wings and lantern frame.

Eight vertical panels divide this pumpkin, each filled with its own pattern: a triangle grid, chevrons, stripes, diamonds, squares, overlapping fans and rows of circles. Pick a tight palette of three or four colors and repeat them across panels so the whole thing holds together.

A ribbed pumpkin sits on the ground with its vine running out either side, two lobed leaves and one trumpet-shaped blossom still open. Orange for the fruit, two greens for the leaves, and buttery yellow for the flower. A tidy page for talking about how pumpkins actually grow.

A freshly carved jack-o-lantern sits on a wood-grain table surrounded by the whole job: a bowl of pulp, a bowl of seeds, a carving saw on newspaper, a scoop and an open pattern book. Warm woods and oranges throughout, with a soft blue sky through the window behind.

A cable-knit blanket with a fringed hem drapes across a windowsill next to a smooth pumpkin, a tall ribbed mug sending up steam, a closed book and a lit tea light. Soft neutrals suit the blanket, warm orange the pumpkin, and a pale wash outside the panes keeps it calm.

A round pumpkin has been given a striped unicorn horn, two pointed ears and a mane that swoops across its forehead, eyes closed in a happy smile. Pastel pinks, lilacs and mint suit the mane, with a soft gold horn and a warm orange body. Big shapes, quick to finish.

A gnome in a tall drooping hat leans against a pumpkin bigger than he is, arms folded and beard reaching past his belt. Try deep red for the hat, cream for the beard and warm orange for the pumpkin. Three fallen leaves and a spotted toadstool finish the scene at his boots.

This pumpkin is built entirely from flat triangles and angled panels, right down to the stem and the two leaves. Work in a gradient, deepest orange at the edges and palest in the middle, so the facets read as light hitting a solid shape. Slow, absorbing, and very satisfying.

A gnome has parked himself on the ground beside a pumpkin twice his height, boots out in front and a steaming mug within reach. Two spotted toadstools and three fallen leaves fill in around him. Deep red hat, cream beard, warm orange pumpkin, and a mug in whatever color you like.

A pumpkin has become a royal coach, complete with a crown on the roof, an arched door, two lanterns and four spoked wheels. Scrolling filigree covers every panel, with stars and flowering vines filling the background. Gold on the metalwork against a soft orange body is the classic choice.

Three big pumpkins sit up front with four smaller ones behind them, all tangled in curling vines, broad leaves and little flowers. Rolling hills, two clouds and a beaming sun fill the sky above. Vary your oranges front to back so the field has some depth to it.

A takeaway cup grins out from the page with sparkly eyes and two stubby arms, topped by a swirl of cream, a smiling mini pumpkin and a cinnamon stick. Cream and caramel for the cup, orange for the little pumpkin, and red and gold for the two leaves at its feet.

A wide squat pumpkin sits on rough wooden planks, its skin marked with mottled patches and its thick stem ridged and knotted. Build the color in layers, deep amber in the grooves and pale gold along the ribs, and let the mottling stay lighter than the skin around it.

A scarecrow in patched overalls and a floppy hat stands arms out in front of a picket fence, four pumpkins lined up at his feet. Two birds fly past, entirely unbothered. Denim blue overalls, straw yellow hands, and a different orange for each pumpkin work well here.

Six identical pumpkin outlines sit in two neat columns, each with a short stem and a single leaf and nothing else inside. Color them six different shades, or draw a face in each one. The plain shapes also cut out cleanly for garlands, name tags and classroom displays.

Three ribbed pumpkins are stacked into a tower, widest at the bottom and smallest on top with a curling stem. A maple leaf leans against each side of the base. Try three different shades of orange from top to bottom, or go cream, gold and deep amber for a farmhouse look.

A single tall pumpkin takes up almost the whole page, split into five long sections with a stem that curls over into a spiral and one lobed leaf beside it. Five wide areas mean five chances to try different oranges, or go completely off script with blue or purple.